Eastern Michigan University theater staging 'Go, Dog. Go!'
Photo courtesy of Eastern Michigan University Theatre
“I’d heard about it, of course,” said Zimmer. “But it’s never too late.”
The show—adapted by Steven Dietz and Allison Gregory, with music by Michael Koerner—follows the antics of several colorful dogs who drive cars, get jobs, play baseball, have parties, and wear hats (that aren’t always appreciated).
“I love absurdist things,” said Zimmer. “ And the playwrights have a note in the script that says they were trying to preserve (the book’s) essential wondrous and loopy anarchy. And I just loved the idea of loopy anarchy.”
While the show features singing and dancing, audiences shouldn’t expect a typical musical.
“It is a play with a lot of movement, and song and dance, but it’s not a musical in the sense of having the kind of through-line story that most musicals will have,” said Zimmer. “ Another component that might not be readily apparent is that the show has a lot of what we call ‘physical theater.’ There are moments in the piece that spring from clown traditions. Not the clown of the big shoes and white face makeup sense, but traditional clown techniques that you might see Dick Van Dyke or Charlie Chaplin doing.”Zimmerman said that a dramatist once noted that most fairy tales have about 6 minutes of playable action in them because, over the centuries, they’ve been honed and crystallized. Consequently, when contemporary artists adapt works like these, they tend to add to the original material and flesh out minor points.
“But these (‘Go, Dog. Go!’) playwrights didn’t do that,” said Zimmerman. “The words in the play are the ones in the book. Young kids are clearly at a stage of life where sensory elements have a huge impact, so sound and visual things are primary. And just as in the book, the words are important, but they aren’t the centerpiece.”
So while parents, when first introduced to the book, may be baffled by the book’s seeming randomness (I'll confess that I was), kids have loved it now for generations.
And the chaotic nature of “Go, Dog. Go!” “is really one of the things I love about it,” said Zimmerman. “Children are not bound by same logic we are. That’s one of their great gifts to the world.”