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Posted on Sun, Oct 16, 2011 : 7:54 a.m.

Jayhawks deliver great harmonies on old favorites, new material

By Roger LeLievre

Truth be told, I came to The Jayhawks’ party late. I’d long been a peripheral fan of their pioneering alt-country sound, but wasn’t that familiar with their songs much beyond the band's minor successes like “Blue” and “Waiting for the Sun.”

All that changed a few years back when a friend loaned me a copy of the compilation album “Music from the North Country, The Jayhawks Anthology” and I really had a chance to appreciate the nicely-balanced vocal harmonies of singer/songwriters Gary Louris and Mark Olson. Neither is a terrific singer on his own, but when they come together, the result is magic for the ears. Those harmonies were front and center Saturday night (sometimes augmented by the voice of keyboard player Karen Grotberg) for the band’s excellent show at the Michigan Theater.

As expected, many of the songs were from the new album “Mockingbird Time”; however, the recently reunited band pulled out many tunes from their catalog as well. Newcomers like the catchy “She Walks in So Many Ways,” the uptempo “High Water Blues” and the easygoing “Hide Your Colors” stood strong alongside classics such as “I’d Run Away,” Blue” and “Angelyne.”

Two of the evening’s delights were Sister Rosetta Tharpe’s gospel number “Up Above My Head (I Hear Music in The Air)” and, oddly enough, a cover of Nazareth’s 1976 hit “Love Hurts,” played as part of the encore, which served to really showcase Olson and Louris’ harmonies. The show closed with “Tampa to Tulsa” and “Bad Time.”

It was an easygoing performance, and Olson looked to be having the time of his life, a happy smile often creasing his face. I thought Louris’ mic was a bit echo-y, and every now and again they seemed to lose the thread of the harmony—two minor quibbles in a show that seemed to delight both long-time fans and come-latelys like myself.

I was surprised at how many empty seats there were, and an usher told me only half the house had been sold, which seemed unusual for a show from such an influential band reunited to its original lineup and touring to support a well-received new CD. Maybe folks were at home watching the Tigers instead of catching the 'Hawks. Or maybe the band’s appeal is more limited than I thought.

Nashville singer-songwriter Rayland Baxter, who reminded me of a young James Taylor, opened the show with an engaging set of original songs, and I couldn’t help but think he would be a perfect fit at The Ark.

Comments

Jay

Tue, Oct 18, 2011 : 7 p.m.

My wife and I are longtime fans and were completly impressed with the show. We had wanted to see The Jayhawks in concert for many, many years and one might think with that kind of anticipation and expectation the show could be a let down. Not the case for us. Mark and Gary's vocals were great. I could have used a bit more volume from Mark's acoustic but overall I thought the sound was fine. Great mix of songs from old to new. I have one of the setlists from the stage and it's interesting to see what they did not play and what they played instead. Great show.

Sarah Heidt

Mon, Oct 17, 2011 : 3:12 p.m.

I am a longtime fan, and I was disappointed by this show. Whoever was running the soundboard did a terrible job, in my opinion. It was bass-heavy and no midrange. I thought the performance was uninspired as well...

Vic Gagnon

Mon, Oct 17, 2011 : 1:50 a.m.

I'm pretty sure they were joking about the Nazareth cover... true, Nazareth did cover Love Hurts, but the classic version was from the Everly Brothers with their beautiful harmonies - right up The Jayhawks' alley.

fjord

Sun, Oct 16, 2011 : 12:28 p.m.

Nice review. You neglected to mention drummer Tim O'Reagan's contributions to the vocal harmonies -- O'Reagan may actually have the best voice in the band, and he put out an excellent solo album in 2006 that's well worth tracking down.